Adventures of a Forced Migrant Contact Me
Late at night in some real estate offices of the Bay Area, one may sometimes spy a young adult in a three-piece suit, vacuuming the carpets and emptying the trash. It isn’t a costume–it is a reality.
I should get best-dressed janitor award.
Inspired by the biggest ‘illegal alien’ superhero (Superman), an Dulce Pinzon seeks to recast the often-demonized undocumented immigrants as superheroes:
The Mexican immigrant worker in New York is a perfect example of the hero who has gone unnoticed. It is common for a Mexican worker in New York to work extraordinary hours in extreme conditions for very low wages which are saved at great cost and sacrifice and sent to families and communities in Mexico who rely on them to survive.
The Mexican economy has quietly become dependent on the money sent from workers in the US. Conversely, the US economy has quietly become dependent on the labor of Mexican immigrants. Along with the depth of their sacrifice, it is the quietness of this dependence which makes Mexican immigrant workers a subject of interest.
The principal objective of this series is to pay homage to these brave and determined men and women that somehow manage, without the help of any supernatural power, to withstand extreme conditions of labor in order to help their families and communities survive and prosper.
My mom is a real hero. She keeps the house clean and several of her client’s offices too. Without her meticulous cleaning work, many would succumb to using dirty bathrooms, overloaded trash cans and breathing in unclean environments.
I recently had the chance to view this documentary at the Immigrant Solidarity Network in Chicago. And now I have the opportunity to blog about it.
Made in L.A. is an Emmy-award winning film that tells the story of three Latina immigrants working in garment sweatshops as they embark on a three-year odyssey to win basic labor protections while finding their way in the U.S. It’s a very personal story of each woman’s self-empowerment, and it humanizes the immigrant experience and draws parallels between today’s immigrants and those whose families came to the U.S. generations ago.
What I particularly liked about this particular work was that the focus was not on discerning whether the migrant women workers in question were legal or illegal. That was not the point of the movie. The binaries of legal-illegal were torn down in the narrative as it explored the trials and tribulations of three Latina women working in a sweatshop in Los Angeles.
Between April 15th and May 31st (and beyond) national organizations, grassroots groups, faith-based congregations and individuals are coming together in a nationwide effort to share the Emmy-winning Made in L.A. and put a human face on the issues of immigration, immigrant workers’ rights, and supporting humane immigration reform.
It’s always important to tell our stories. And especially the stories of migrant women given the trend towards feminization of migrant labor.
Will you join or support this effort? You can:
1. Host a screening
3. Post the banner and button on your blog or website, and get the new Immigration Headlines Widget featuring Made in L.A.
By creating a climate of empathy and understanding around immigration reform, we can use Made in L.A. to help lay the foundation for change. Join the movement at www.MadeInLA.com/MayDay!
“California will collapse before breakfast, London before lunch, and most of Europe just before dinner.”
Sharan Burrow, president of the International Trade Union Confederation.
The Global Forum on Migration and Development opened in Manilla today with delegates from 151 countries in attendance.
Obviously, the United States mainstream news media is not about to pick up on the message of migrant rights being human rights. We are also too engrossed with domestic elections and ‘voter purging’ from rolls (a ‘legal’ Republican tactic to disallow ‘certain’ demographics of people from voting) to be bothered about 40 million undocumented workers around the world. (Is this a ‘third world’ under-developed country where we cannot even determine which voters are eligible or not eligible to cast their ballots?)
For the nativists that call on restricting immigration in times of crisis, here is why such a call would propagate contradictory results. Burrow states:
“In a global financial crisis, if jobs are threatened, if regular channels of migration are constrained, then clearly we will see an increase in those desperate to make an income working without documentation in many nations,” she said.
The forum signifies how the subaltern cannot speak. None of the delegates are really migrant workers.
Joshua Mata, Salag spokesman, denounced the forum for failing to highlight the need to protect and defend the rights of migrant workers. “They kept talking about the significance and importance of migrant workers, when in fact there is no migrant worker at all in the forum,” Salag said.
No, as usual the migrants are on the outside, protesting for their rights and the right to be included in decisions about their lives.
I mentioned earlier that the computer-generated 55-second video footage of giant fireworks on film at the Opening Ceremony of the Beijing Olympics was pure simulacrum–with no relation to ‘reality.’ It turns out that there was more “staging” than meets the eye at the 2008 Beijing games.
First, a 9-year old lip-synced the song “Ode to the Motherland” because the original singer was not considered pretty enough.
Then, we had reports of a pre-recorded “live” fireworks display as aforementioned.
Chinese officials also admitted to deploying cheer squads (legions of spectators wearing matching yellow shirts) to ‘create’ atmosphere and hide the empty seats. (Why were there empty seats at this major world spectacle? We will come back to this point soon).
Now Beijing officials are admitting that children dressed in different ethnic costumes in China who carried the Chinese flag were not actually from those ethnic groups.
And all the while, the CCP has cracked down on Olympics piracy–the sale of ‘inauthentic’ Olympic gear. In order to move away from the perception of China as a “low class pirating country” according to CNN,
On April 26, World Intellectual Property Day, cities across China demonstrated the country’s commitment to quashing piracy by staging public exhibitions and destroying pirated goods.
This is the essence of hyper-reality, the fake crackdowns on pirated goods (the brand names also representative of nothing) to allude to a China that is indeed unreal; it does not exist.
Maybe these reports do not bother average viewers who understand that they are consuming images that are not necessarily representative of reality. And this post is by no means condemning China for “faking” the Olympics–that would be far too juvenile and hypocritical and I will leave that to the Orientalists and hate-mongers.
In ‘postmodern’ society, the simulated copy has preceded the real and while I am not asserting like Jean Baudrillard did that “the real no longer exists,” I do hold that the mass profusion of images for consumption–the systemic act of the manipulation of signs–play a major role in masking and convoluting our perceptions of reality.
The most disturbing part of the Olympic spectacle does not have to do with the 55 second CGI, lip-synching or child actors; it has little to do with the spectacularly grand banquet of scrolls, drums, processions, songs and dances that were supposed to reflect 5000 years of Chinese civilization. This hyper-reality and idealized transposition blanketed the ‘real’ people of China, the people that would ideally occupy those empty seats, the ones in rural areas who would never even see the games but have their land taken away in an attempt to create the facade, those that toiled behind the scenes to make these Olympics a success, the ‘undesirables’ that China was all too eager to eliminate from the screens before the games begun even while appearing to extoll the values of its own historical laboring past and present during the staged simulation.
The migrant laborers that toiled hard with little-to-no legal and health protections, and built the Bird’s Nest are nowhere to be seen. They came, they built, and they left knowing that they would never have access to the amazing sites that they have put together, that the world may never recognize their amazing feats and reward them with medals. After all, we are glued to our screens watching and applauding people running, swimming, cycling and jumping for medals, sponsorships, and fame. But the true achievers are the migrant workers, the unsung heroes who made these games possible.
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“I’m here and this is my dream. So it’s cool.”
Cejudo, crying the moment the match ended and wrapping himself in an American flag, defeated Tomohiro Matsunaga of Japan 2-2 on tiebreaker and 3-0 in the best-of-three match.
He is the son of undocumented Mexican immigrants who bypassed college to pursue his dreams of being an Olympian and won the gold medal in the freestyle wrestling event–the first U.S. champion of the sport’s lightest weight class since 1960.
“He’s testament to the fighting spirit of America,” his coach Mike Duroe said. “This means so much to him. Gold medals are the American dream.”
At just 5-feet-4 and 121 pounds, Henry Cejudo is the the youngest of six children. The Denver Post reported on July 31:
Being the youngest, Cejudo said, “I always had to fight for things – blanket, remote control, food.”
In Phoenix, Cejudo remembers living in rough apartment complexes where crime was ever present, murders not unusual.
“I never forget where I come from,” he said. “The struggles, everything, I just use it as motivation.”
That fire comes out when he’s on the mat, even in a practice match here, where you can feel his intensity.
“You’re going to lose if you think you are,” he said. “I was always like that, ever since I was a little kid, I’ve always had that mentality.”
Organizations like Americans for Legal Immigration (a euphemism for Americans Against Latino Immigration), a site that advocates strict immigration levels, would also love to do-away with “birthright-citizenship,” which would have ripped a talent like Henry Cejudo from the United States. William Gheen does not care; for him, the issue is black and white:
“America and Spain are the only two countries left in the world that have birthright citizenship. And that is something that our organization and many others would like to see changed because of its wild and flagrant abuse by illegal aliens.”
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